Well, why not start at the beginning: this Christmas started with Jeremiah and David and our brief but lovely visit to Ravenna- and the revelation which was Bellini's Norma conducted by Riccardo Muti- although I had been looking forward to Nabucco...
This was a discovery for me, who, in my ignorance , had always thought 'bel canto' was something fairly insipid... But no, this was opera just the way I like it- i.e. featuring an unhinged soprano with a voice to wake the dead and shatter fine crystal, always aiming for some sort of murderous revenge. Norma was of course exactly that, and Norma is a role which Maria Callas famously made her own. A young Cuban American soprano rose magnificently to the challenge of following in Callas' foot steps, and this is what David wrote for the Arts Desk: (https://www.theartsdesk.com/opera/theartsdesk-ravenna-riccardo-muti-passes-lifetimes-operatic-wisdom)
And what a breathtaking introduction we had to the new generation of Italian opera stars in the best sense. Leading them all had to be 27-year-old Cuban American soprano Monica Conesa (pictured above by Zani-Casado) – because either you can handle every aspect of Bellini's high priestess with a guilty secret, and the role is of pre-Wagnerian dimensions (no wonder the German loved this of all Italian operas), or you fail utterly. Conesa triumphed on every count.
My very first Christmas at Casato di Sopra was memorable and eventful, full of joyful meetings and discoveries, laughter, mad conversations and flights of fancy, greatly inspired by the week long presence of the lovely and charmingly eccentric Stephane from Paris - right above- and also of a Korean young couple who shared in our Christmas fun- which included all English trimmings, such as Turkey, Christmas crackers, plum pudding, charades and as a final twist the Christmas speech of King Charles the Third on You Tube..
But the whole time I was also working on the floorcloth- which is taking shape in the 'Chiesina'...
The Dante quotation which I saw in Ravenna by his grave will somehow find its way onto the floor- the above mentioned Stephane kindly sent me the picture and some type faces I might use.
It is the last words from the Purgatorio: and it conveniently mentions ONDA.. :
Io ritornai dalla santissima Onda
Rifatto si come piante nouvelle
rinnovellate di novella fronda
Puro e disposto a salire alle stelle.
For New Year celebrations Jeremiah and David arrived, we were joined by my Onda neigbours Allessandra and Loris, as well as Andrea, Silvana and Giuseppe from our little Friday theatre group, and Hettie of course. The lovely Jeremiah,
Heldentenor par excellence, treated us to some of his wonderful singing from Tchaikovsky's Eugene Onegin at Allessandra's insistence. How lovely! My flat has been well used and is becoming what I wished it would become- a place of intriguing encounters and happy surprises.
And that continued this morning even, with the young honey moon couple from Taiwan, Mibi and Vincent, who only stayed one night but even so managed to make themselves unforgettable by helping me to take the Christmas decorations down; during which they played me the latest Taiwanese pop music. On my tree they discovered some paper birds made by my Japanese friend Satomi two Christmases ago when I lived at Via Roma... This inspired Mibi to produce a drawing on my wall of this Eastern bird phenomenon, called a HO in Chinese. One is apparently supposed to make a hundred of them, then put them in a tin and any wish will undoubtedly come true...
And in the studio there are some horses arriving, galloping around the Piazza. This painting is becoming something fairly light hearted and features a large amount of Siena sights- it has even got the
Facciatone with a group of tourists enjoying the view...
Massimo Spessot, the Priore of Onda, has kindly given me leave to let it stay on the floor until I come back from my travels, to finish it off in the first days of February. I am leaving for London on Tuesday and then Minnesota and Arizona and my friends Patty and Les on the 11th...!