I had been on
a free guided tour of Siena- to do with Dante yet again- this time rather
specialized: it concerned Dante’s Siena connections – the great families of
Siena that he knew. The tour was intended for Italians, and particularly the
Sienese. I noticed a rather old woman who was on her own, just like me, and she
seemed to be enjoying the tour. The excellent guide was ‘interrupted’ three
times during our progress through a freezing Siena- a great local poet/rapper/actor
gave some rather idiosyncratic interpretations of
certain passages in Dante to everyone’s delight:
And this evening I had booked a ticket for a performance at the Teatro dei Rinnovati, which is situated in the Palazzo Pubblico. It was a dance performance ‘Les Nuits Barbares’ choreographed by Herve Koubi to traditional Algerian music as well as Mozart, Faure, and Wagner. This was quite a treat and I had been looking forward to it. When I arrived I was surprised that I kept being ushered to some side stairs that led me higher and higher, until I ended up in the forth and last circle, far off to one side. I looked down and noticed that there was plenty of space left in much better positions. Then I looked at who else was sitting on my level, and realized that the only one on the whole level sharing this dismal position was the old woman I had noticed from the Dante tour! I had bought the best ticket available, but, always with an eye for a bargain, I had claimed the over sixty-five discount of 3 euros, just like I expect the lady from the tour had done. This had clearly been a mistake- two old women arriving separately on their own- we were put away as far as possible! I saw red, and stomped out, just as it was about to start. I was immediately intercepted by one of the ushers who attempted to calm me down. I am quite proud of the fact that I managed to be very angry all in Italian, while I was led down to the ticket office. There I continued to splutter venom in what must have been quite comprehensible Italian for the ticket office staff were most apologetic and asked me if I had booked online- as if that was a mistake?- I was finally led to one of the last places in one of the first rows- and meanwhile I had also been able to ‘rescue’ the other ‘old lady’ from outer space : ‘e l’altra povera vecchia signora, voi la lacherete li, tutta sola? Maledizone!’Once installed, I noticed with some gratification that the lady had also been moved to a seat a few pews away…!
It took me a
certain amount of time to calm down but the spectacle was good enough to soothe
me: thirty beautiful male dancers performing something between acrobatics, break-dancing
and ballet conjuring up tribal scenes that seemed to belong more closely further
south on the African continent than Algeria, whose music was sometimes
intertwined with Mozart’s or Faure’s Requiems. It all worked, and as I left I
managed a little smile to the lady in the ticket office who I had insulted
previously.
The moral of
this story: NEVER be stingy enough to try to save three euros because you are
over sixty-five!- at least not if you are a woman…
Bravo pour ce post plein d'humour! On te pardonne de nous avoir inquiétés avec la photo de cette petite fille que l'on connait bien et qui annonce toujours une catastrophe. Tu nous as bien eus!
ReplyDeleteGrazie! La petite va surement m'accompagner toujours... mais il y a l'autre aussi! Je vais commencer cette fois avec celle qui annonce la joie:
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